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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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General information

Untitled, 2020 Steph Fuller

The look and the feel

Living Memory exhibition essay

General content

Editor Stephen Phillips looks at the finalists' photographs through a judge's lens.

Thomas Sutcliffe Mort and his wife Theresa

A head for business and a heart for love

For love, not money

Thomas and John Clarke, bushrangers, photographed in Braidwood Gaol

The last bushrangers

It's Complicated

Brothers in harms

Queenie McKenzie Nakara

She saved his life. He showed her painting.

Nearest & Dearest

Leaders, painters, friends

Portrait of Jawoyn Elder, Margaret Katherine

NAIDOC Portraits

Keep the Fire Burning

Current programs for school groups

Celebrate NAIDOC: Keep the Fire Burning! Blak, Loud and Proud and First Nations portraiture in these live National Portrait Gallery programs for primary students. Bookings via DART.

So Fine catalogue

National Portrait Gallery takes out top gong in MAPDA awards

Archived media releases 2019

The National Portrait Gallery is thrilled to be named the winner of the Museums Australasia Multimedia and Publication Design Awards in the category of exhibition major catalogue level B, for our publication So Fine: Contemporary women artists make Australian history.

Portrait of Mrs Tom Roberts

Who is Lillie Roberts?

Talented wife for a talented husband

Convict love token from J. Waldon, 1832

To coin a (farewell) phrase

A penny for their thoughts

Thomas Archbold, Durham, 1826 by John Dempsey

Street fare

General content

The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Archived media releases 2018

Images for media use will be available from 8 March 2018.

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

Alab ng puso (Fire in the heart), 2010 by Alfredo Esquillo Jr

Alfredo Esquillo Jr

by Patrick D. Flores

Born in Manila in 1972, Alfredo Esquillo Jr majored in painting at University of Santo Thomas.

Ngalim-Ngalimbooroo Ngagenybe

Presenting… Shirley Purdie’s Ngalim-Ngalimbooroo Ngagenybe

Wednesday 27 May 2020

Archived media releases 2020

The National Portrait Gallery this week launches an online exhibition of Shirley Purdie’s remarkable self-portrait Ngalim-Ngalimbooroo Ngagenybe to coincide with Reconciliation Week.

Gravity, 2009 by Alwar Balasubramaniam

Alwar Balasubramaniam

by Zehra Jumabhoy

Born in 1971 in Tamil Nadu, Southern India, Alwar Balasubramaniam's sculptures, prints and installations challenge our perceptions while creating forms for the invisible and the intangible.

Michelle Simmons

Michelle Simmons, 2018

General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

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Portrait Donors

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency